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About half-past two next day they start for Anadale. Not Violet, or Captain Rodney, who have elected to go on a mission of their own, nor Nicholas, who has gone up to London. "I see no reason why she should not talk to any man she pleases. I know her well enough to trust her anywhere, and am deeply thankful for such knowledge. In fact," with some passion, sudden but subdued, "I feel as though in discussing her in this cold-blooded fashion I am doing her some grievous wrong." "My dear child, don't talk like that," he says, nervously: "you're done up, you know. Come to bed.".
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A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood. "No, you are not," says Geoffrey, grieved to the heart that he could have used such a word towards her. "You are nothing that is not sweet and adorable. And, besides all this, you are, I know, sincerity itself. I feel (and am thankful for the knowledge) that were fate to 'steep me in poverty to the very lips,' you would still be faithful to me." "You are very kind. The river is greatly swollen," she says, to gain time. Geoffrey, perhaps, will not like her to accept any civility at the hands of this common enemy. "Blame no one," says Mona. "But if there is anything in your own heart to condemn you, then pause before you go further in this matter of the Towers.".
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